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Japanese literatureThe Kojiki and Nihon shoki as collections of myths
Most of the surviving Japanese myths are recorded in
these two works. They tell of the origin of the ruling class and were apparently aimed at
strengthening its authority. Therefore, they are not pure myths but have much political
colouring. They are based on two main traditions: the Yamato Cycle, centred around the sun
goddess Amaterasu Omikami,
and the Izumo Cycle, in which the principal character is Susanoo (or Susanowo) no Mikoto,
the brother of Amaterasu. (See
legend.)
Genealogies
and mythological records were kept in Japan, at least from the 6th century AD and probably
long before that. By the time of the emperor Temmu (7th century), it became
necessary to know the genealogy of all important families in order to establish the
position of each in the eight levels of rank and title modelled after the Chinese court
system. For this reason, Temmu ordered the compilation of myths and genealogies that
finally resulted in the Kojiki and
The
purpose of the cosmologies of the Kojiki and Nihon shoki is to trace
the Imperial genealogy back to the foundation of the world. The myths of the Yamato
Cycle figure prominently in these cosmologies. In the beginning, the world was a
chaotic mass, an ill-defined egg, full of seeds. Gradually, the finer parts became heaven
(Yang), the heavier parts earth (Yin). Deities were produced between the two: first, three
single deities, and then a series of divine couples. According to the Nihon shoki,
one of the first three "pure male" gods appeared in the form of a reed that
connected heaven and earth. A central foundation was now laid down for the drifting
cosmos, and mud and sand accumulated upon it. A stake was driven in, and an inhabitable
place was created. Finally, the god Izanagi (He Who Invites) and the
goddess Izanami (She Who
Invites) appeared. Ordered by their heavenly superiors, they stood on a floating bridge in
heaven and stirred the ocean with a spear. When the spear was pulled up, the brine
dripping from the tip formed Onogoro, an island that became solid spontaneously. Izanagi
and Izanami then descended to this island, met each other by circling around the celestial
pillar, discovered each other's sexuality, and began to procreate. After initial failures,
they produced the eight islands that now make up Japan. Izanami finally gave birth to the
god of fire and died of burns. Raging with anger, Izanagi attacked his son, from whose
blood such deities as the god of thunder were born. Other gods were born of Izanami on her
deathbed. They presided over metal, earth, and agriculture. In grief, Izanagi pursued
Izanami to Yomi (analogous to
Hades) and asked her to come back to the land of the living. The goddess replied that she
had already eaten food cooked on a stove in Yomi and could not return. In spite of her
warning, Izanagi looked at his wife and discovered that her body was infested with
maggots. The angry and humiliated goddess then chased Izanagi from the underworld. When he
finally reached the upper world, Izanagi blocked the entrance to the underworld
with an enormous stone. The goddess then threatened Izanagi, saying that she would kill a
thousand people every day. He replied that he would father one thousand and five hundred
children for every thousand she killed. After this, Izanagi pronounced the formula of
divorce. (See creation myth, cosmic egg.)
Izanagi then
returned to this world and purified himself from the miasma of Yomi no Kuni. From
the lustral water falling from his left eye was born the sun goddess Amaterasu Omikami,
ancestress of the Imperial family. From his right eye was born the moon god Tsukiyomi no Mikoto and from his
nose, the trickster god Susanoo. Izanagi gave the sun goddess a jewel from a necklace and
told her to govern heaven. He entrusted the dominion of night to the moon god. Susanoo was
told to govern the sea. According to the Kojiki, Susanoo became dissatisfied with
his share and ascended to heaven to see his older sister. Amaterasu, fearing his wild
behaviour, met him and suggested that they prove their faithfulness to each other by
bringing forth children. They agreed to receive a seed from each other, chew it, and spit
it away. If gods rather than goddesses were born, it would be taken as a sign of the good
faith of the one toward the other. When Susanoo brought forth gods, his faithfulness was
recognized, and he was permitted to live in heaven.
Susanoo,
becoming conceited over his success, began to play the role of a trickster. He scattered excrement
over the dining room of Amaterasu, where she was celebrating the ceremony of the first
fruits. His worst offense was to fling into Amaterasu's chamber a piebald horse he had
"flayed with a backward flaying" (a ritual offense).
Enraged at the
pranks of her brother, the sun goddess hid herself in a celestial cave, and darkness
filled the heavens and the earth. The gods were at a loss. Finally, they gathered in front
of the cave, built a fire, and made cocks crow. They erected a sacred evergreen tree, and
from its branches they hung curved beads, mirrors, and cloth offerings. A goddess named Amenouzume no Mikoto then danced
half-nude. Amaterasu, hearing the multitudes of gods laughing and applauding, became
curious and opened the door of the cave. Seizing the opportunity, a strong-armed god
dragged her out of the cave.
The myths of
the Izumo Cycle then begin to appear in the narration. Having angered the heavenly gods
and having been banished from heaven, Susanoo descended to Izumo, where he rescued
Princess Marvellous Rice Field (Kushiinada Hime) from an eight-headed serpent. He then
married the Princess and became the progenitor of the ruling family of Izumo. The most
important member of the family of Susanoo was the god Okuninushi no Mikoto, the
great earth chief, who assumed control of this region before the descent to earth of the
descendants of the sun goddess.
Before long,
Amaterasu, the leader of the celestial gods--the gods of Izumo were known as earthly
gods--asked Okuninushi to turn over the land of Izumo, saying that "the land
of the plentiful reed-covered plains and fresh rice ears" was to be governed by the
descendants of the heavenly gods. After the submission of Izumo, Amaterasu made her
grandson Ninigi no Mikoto (ninigi
is said to represent rice in its maturity) descend to earth. According to the Nihon
shoki, Amaterasu handed Ninigi some ears of rice from a sacred rice field and told
him to raise rice on earth and to worship the celestial gods. The grandson of the sun
goddess then descended to the peak of Takachiho (meaning high thousand ears) in Miyazaki,
Kyushu. There he married a daughter of the god of the mountain, named Konohana-sakuya Hime
(Princess Blossoms of the Trees).
When Ninigi's
wife became pregnant and was about to give birth, all in a single night, he demanded proof
that the child was his. She accordingly set fire to her room, then safely produced three
sons. One of them, in turn, became the father of the legendary first emperor, Jimmu, who is considered to mark
the watershed between the "age of the gods" and the historical age; but Jimmu's
eastern expedition and conquest of the Japanese heartland was also a myth. |
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Modified Monday, July 13, 2009 Copyright @ 2007 by Fathers' Manifesto & Christian Party |